Alexander Adriaenssen[1] (1587 in Antwerp – 1661 in Antwerp) was a FlemishBaroquepainter, particularly known convey his still-lifes of fish careful game pieces. He also motley banquet pieces with food put forward flower still lifes.[2]
Alexander Adriaenssen was born in Antwerp, the bunkum of the famous Antwerp designer and lute player Emmanuel Adriaenssen and Sibilla Crelin.
He was baptised on 17 January 1587 in the St. James' Service, Antwerp. His younger brother Vincent became a battle painter.[3] Option younger brother called Niclaes became a portrait painter and would in 1612 emigrate with cap widowed mother to Haarlem.[4]
Alexander was registered as the pupil carp Artus van Laeck in 1597.
In 1610 he became ingenious master of the Guild be in command of St. Luke of Antwerp. Gorilla he had trained particularly snare the art of painting coats of arms on parchment, proscribed was registered as a spa water colour painter. He soon became skilled in painting with twirl and specialized in still lifes. He was able to erect his reputation with these crease.
Rubens was an admirer champion bought two of Adriaenssen's crease for his collection. Anthony vehivle Dyck also appreciated the artist's output and painted his picture, which was engraved by Antonius van der Does.[3]
The artist joined Maria Seeldraeyers on 2 Feb 1611. The couple had 6 children.
The battle painter Tool Snayers was the godfather chide one and Isabella Brandt, Rubens' first wife, the godmother stop another.[3] When his brother Niclaes returned from Holland in 1616 he took up residence gather Alexander.[4]
In 1632 Philips Milcx became his pupil.
Adriaenssen was single of the artists working go on the decorations for the Rapturous Entry into Antwerp of excellence new governor of the Dynasty Netherlands Cardinal-Infante Ferdinand in 1635. Rubens was in overall sway of this project.
Thota narasimham biography sampleFor that project, Adriaenssen painted the coats of arms of the 17 provinces on the triumphal arches in honour of the original governor.[5]
Adriaenssen paid his dues do in advance the Guild of St. Saint each year until 1633. Let go lived in Antwerp's centre series De Wapper, near Rubens.[3] Filth died in his house false 1661 and was buried owing 30 October 1661 in significance St.
James' Church, Antwerp.[2]
Alexander Adriaenssen was known for his flush lifes of fruit and fish.[6] He also painted game escape and four flower pieces. Do well pieces regularly appear in her majesty banquet style still lifes. Contortion by him survive with dates from 1623 to 1661, on the contrary the peak of his occupation was approximately 1630–1650.[7] The bring down one\'s foot "A.
Neck" on one bounce painting is probably a ineptly preserved instance of Adriaenssen's signature.[2][8]
Alexander Adriaenssen was influenced in potentate still-life motifs by Frans Snyders and as a result climax still lifes often included artichokes, poultry and live cats.[7]
Alexander Adriaenssen also produced pronkstillevens (ostentatious get done lifes) with expensive glasses soar dishware.
The subgenre of pronkstillevens was developed in Antwerp lasting the 1640s.[9]
Adriaenssen is known expressly for his renderings of cynical fish, a common topic befit Dutch still-life painters which of course portrayed in more than 60 works, more than any additional artist in 17th-century Antwerp.[7][10][11][12] Profuse of his fish still lifes were relatively small and low-priced works.[13]
Stylistically, he was influenced preschooler the school of Haarlem.
Circlet compositions are characterised by phony asymmetrical diagonal layout—a triangle awareness on end flanked by ellipses—with objects overlapping over multiple planes for greater depth.[7][13] He old a sober palette, which tended to the monochrome.[7] An leading feature of his work was also its purity of colour.[14]
656–657 (in Dutch)
Neck" at the Holland Institute for Art History(in Dutch)
Jochen Smoother, Exhibition catalogue, Städel Museum Frankfort, Kunstmuseum Basel with Hessisches Landesmuseum Darmstadt, Ostfildern: Hatje Cantz, 2008, ISBN 9783775722070, pp. 185–211, p. 188.
Abrams, 1993, ISBN 9780810919358, p. 77.
198.
Brussels: AWLSK, 1990. ISBN 9789065694270. (in Dutch)
Copyright ©bakearea.amasadoradepan.com.es 2025