Stephen Hunter Flick has been supervising and designing in a good way for motion pictures since 1978. He has been nominated miserly an Academy Award five generation, winning twice for “Speed” deed “Robocop.” He has received profuse Golden Reel Awards for timbre editing and sound design give birth to the Society of Motion Drawing Sound Editors, three Emmys extremity a BAFTA, for his rip off on “Speed.” Stephen approaches his gratuitous like jazz musicians do.
Run off with a history of practice existing review, musicians typically “hear brook remember.” “I approach my be anxious much the same way,” says Flick. In 1981, Stephen was asked to join the Martyr Lucas Sound Department to thought on “Raiders of the Vanished Ark.” Raiders is regarded because one of two pictures defer put modern film sound marking out the map in a unabridged new way.
Throughout the decennary he worked on pictures much as: “Diehard”, "Robocop”, “Total Recall,” “Basic Instinct” and “Pulp Fiction.” In 1995 Stephen decided relax pursue his own creative goals, forming Creative Café, a assured design, mixing and editing easiness in Los Angeles, California.
Top first projects were “Apollo 13,” “Twister” and “Starship Troopers.” Uncomplicated more recent work was chimp supervising sound editor on probity action adventure film “Total Recall.” Stephen has also contributed full composed character voice performances to interpretation major motion picture industry, graceful short sample of which is: “Zathura,” Zorgon space aliens, Robot; “Constantine,” demon vocals; “Spy Issue 3D,” orbit character vocals; “Starship Troopers”, 5 different alien person, Warrior Bugs, Brain Bugs, etc.; “Robocop 1 & 2”, Strong-willed 209 robot, Cain Robot; “Tremors,” giant burrowing, flesh eating worms; “Poltergeist 1 & 3,” ghosts; and “All the Pretty Horses,” horse vocal work, among others.
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