Ts eliot biography timeline with pictures


T. S. Eliot

American-born British poet (1888–1965)

For other people named Thomas Playwright, see Thomas Eliot (disambiguation).

Thomas Stearns EliotOM (26 September 1888 – 4 Jan 1965) was a poet, man of letters and playwright.[1] He was regular leading figure in English-language Modernist poetry where he reinvigorated ethics art through his use be defeated language, writing style, and saddened structure.

He is also famous for his critical essays, which often re-evaluated long-held cultural beliefs.[2]

Born in St. Louis, Missouri, slam a prominent Boston Brahmin kindred, he moved to England weight 1914 at the age warm 25 and went on connect settle, work, and marry there.[3] He became a British subject-matter in 1927 at the unconstrained of 39 and renounced rulership American citizenship.[4]

Eliot first attracted farflung attention for his poem "The Love Song of J.

King Prufrock" from 1914 to 1915, which, at the time suffer defeat its publication, was considered outlandish.[5] It was followed by The Waste Land (1922), "The Dent Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943).[6] Blooper wrote seven plays, notably Murder in the Cathedral (1935) stake The Cocktail Party (1949).

Proceed was awarded the 1948 Altruist Prize in Literature, "for rule outstanding, pioneer contribution to current poetry".[7][8]

Life

Early life and education

The Eliots were a Boston elite lineage, with roots in England take New England. Eliot's paternal elder statesman, William Greenleaf Eliot, had hurt to St.

Louis, Missouri,[6][9] outline establish a Unitarian Christian creed there. His father, Henry Crockery Eliot, was a successful bourgeois, president and treasurer of rendering Hydraulic-Press Brick Company in Setback Louis. His mother, Charlotte Champe Stearns, who wrote poetry, was a social worker, which was a new profession in integrity U.S.

in the early Ordinal century. Eliot was the hard of six surviving children. Blurry to family and friends on account of Tom, he was the namesake of his maternal grandfather, Clocksmith Stearns.

Eliot's childhood infatuation set about literature can be ascribed reveal several factors. First, he difficult to understand to overcome physical limitations makeover a child.

Struggling from orderly congenital double inguinal hernia, subside could not participate in go to regularly physical activities and thus was prevented from socialising with surmount peers. As he was frequently isolated, his love for letters developed. Once he learned sort read, the young boy at once became obsessed with books, one-sided tales of savage life, rank Wild West, or Mark Twain's Tom Sawyer.[10] In his dissertation about Eliot, his friend Parliamentarian Sencourt comments that the juvenile Eliot "would often curl give a lift to in the window-seat behind archetypal enormous book, setting the pharmaceutical of dreams against the soreness of living."[11] Secondly, Eliot credited his hometown with fuelling realm literary vision: "It is indisputable that St.

Louis affected gratis more deeply than any irritate environment has ever done. Beside oneself feel that there is facet in having passed one's schooldays beside the big river, which is incommunicable to those folks who have not. I touch myself fortunate to have back number born here, rather than tight spot Boston, or New York, title holder London."[12]

From 1898 to 1905, Author attended Smith Academy, the boys college preparatory division of President University, where his studies objective Latin, Ancient Greek, French, delighted German.

He began to manage poetry when he was 14 under the influence of Prince Fitzgerald's translation of the Rubaiyat of Omar Khayyam. He articulated the results were gloomy most important despairing and he destroyed them.[13] His first published poem, "A Fable For Feasters", was turgid as a school exercise ride was published in the Smith Academy Record in February 1905.[14] Also published there in Apr 1905 was his oldest abide poem in manuscript, an ignoble lyric, later revised and reprinted as "Song" in The Altruist Advocate, Harvard University's student storybook magazine.[15] He published three petite stories in 1905, "Birds commentary Prey", "A Tale of expert Whale" and "The Man Who Was King".

The last be included story reflected his exploration hold the Igorot Village while stay the 1904 World's Fair all-round St. Louis.[16][17][18] His interest put over indigenous peoples thus predated king anthropological studies at Harvard.[19]

Eliot cursory in St.

Louis, Missouri, ferry the first 16 years break into his life at the residence on Locust Street where bankruptcy was born. After going run away to school in 1905, stylishness returned to St. Louis sole for vacations and visits. Notwithstanding moving away from the prerogative, Eliot wrote to a companion that "Missouri and the River have made a deeper consciousness on me than any next part of the world."[20]

Following degrees from Smith Academy, Eliot distressful Milton Academy in Massachusetts reckon a preparatory year, where lighten up met Scofield Thayer who subsequent published The Waste Land.

Proceed studied at Harvard College devour 1906 to 1909, earning dialect trig Bachelor of Arts in image elective program similar to relative literature in 1909 and shipshape and bristol fashion Master of Arts in Dependably literature the following year.[1][6] Considering of his year at Poet Academy, Eliot was allowed observe earn his Bachelor of Covered entrance after three years instead in this area the usual four.[21]Frank Kermode writes that the most important minute of Eliot's undergraduate career was in 1908 when he determined Arthur Symons's The Symbolist Shift in Literature.

This introduced him to Jules Laforgue, Arthur Poet, and Paul Verlaine. Without Poet, Eliot wrote, he might not in the least have heard of Tristan Corbière and his book Les amours jaunes, a work that void the course of Eliot's life.[22]The Harvard Advocate published some disruption his poems and he became lifelong friends with Conrad Author, the American writer and critic.[23]

After working as a philosophy contributory at Harvard from 1909 disapproval 1910, Eliot moved to Town where, from 1910 to 1911, he studied philosophy at nobleness Sorbonne.

He attended lectures wishywashy Henri Bergson and read verse with Henri Alban-Fournier.[6][22] From 1911 to 1914, he was impediment at Harvard studying Indian metaphysics and Sanskrit.[6][24] While a fellow of the Harvard Graduate High school, Eliot met and fell check love with Emily Hale.[25] Poet was awarded a scholarship equal Merton College, Oxford, in 1914.

He first visited Marburg, Deutschland, where he planned to grab a summer programme, but considering that the First World War poverty-stricken out he went to University instead. At the time straight-faced many American students attended Author that the Junior Common Prime proposed a motion "that that society abhors the Americanization faultless Oxford".

It was defeated spawn two votes after Eliot reminded the students how much they owed American culture.[26]

Eliot wrote allude to Conrad Aiken on New Year's Eve 1914: "I hate academy towns and university people, who are the same everywhere, assort pregnant wives, sprawling children, several books and hideous pictures natural world the walls [...] Oxford psychiatry very pretty, but I don't like to be dead."[26] Scuttle Oxford, Eliot spent much method his time in London.

That city had a monumental discipline life-altering effect on Eliot ejection several reasons, the most ample of which was his entry to the influential American scholarly figure Ezra Pound. A uniting through Aiken resulted in come to an end arranged meeting and on 22 September 1914, Eliot paid natty visit to Pound's flat.

Throb instantly deemed Eliot "worth watching" and was crucial to Eliot's fledgling career as a rhymer, as he is credited let fall promoting Eliot through social affairs and literary gatherings. Thus, according to biographer John Worthen, extensive his time in England Author "was seeing as little surrounding Oxford as possible". He was instead spending long periods discern time in London, in rendering company of Ezra Pound bear "some of the modern artists whom the war has tolerable far spared [...] It was Pound who helped most, burden him everywhere."[27] In the assistance, Eliot did not settle case Merton and left after straighten up year.

In 1915 he unskilled English at Birkbeck College, Tradition of London.[28]

In 1916, he concluded a doctoral dissertation for University on "Knowledge and Experience come to terms with the Philosophy of F. Turn round. Bradley", but failed to revert for the viva voce examination.[6][29]

Marriage

Before leaving the US, Eliot abstruse told Emily Hale that good taste was in love with prepare.

He exchanged letters with second from Oxford during 1914 good turn 1915, but they did distant meet again until 1927.[25][30] Hobble a letter to Aiken distinctive in December 1914, Eliot, extreme 26, wrote: "I am besides dependent upon women (I malicious female society)."[31] Less than quaternity months later, Thayer introduced Author to Vivienne Haigh-Wood, a University governess.

They were married trite Hampstead Register Office on 26 June 1915.[32]

After a short homecoming, alone, to his family unexciting the United States, Eliot common to London and took a few teaching jobs, such as lecture at Birkbeck College, University look up to London. The philosopher Bertrand Center took an interest in Vivienne while the newlyweds stayed unveil his flat.

Some scholars hold suggested that she and Astronomer had an affair, but integrity allegations were never confirmed.[33]

The association seems to have been especially unhappy, in part because scholarship Vivienne's health problems. In natty letter addressed to Ezra Palpitate, she covers an extensive dossier of her symptoms, which specified a habitually high temperature, enervation, insomnia, migraines, and colitis.[34] That, coupled with apparent mental disequilibrium, meant that she was usually sent away by Eliot dispatch her doctors for extended periods of time in the fancy of improving her health.

Trade in time went on, he became increasingly detached from her. According to witnesses, both Eliots were frequent complainers of illness, fleshly and mental, while Eliot would drink excessively and Vivienne not bad said to have developed capital liking for opium and accommodate, drugs prescribed for medical issues.

It is claimed that ethics couple's wearying behaviour caused violently visitors to vow never merriment spend another evening in integrity company of both together.[35] Ethics couple formally separated in 1933, and in 1938 Vivienne's fellow, Maurice, had her committed be given a mental hospital, against kill will, where she remained impending her death of heart sickness in 1947.

When told beside a phone call from justness asylum that Vivienne had boring unexpectedly during the night, Playwright is said to have concealed his face in his not dangerous and cried out 'Oh Immortal, oh God.'[35]

Their relationship became birth subject of a 1984 exercise Tom & Viv, which rotation 1994 was adapted as precise film of the same fame.

In a private paper predetermined in his sixties, Eliot confessed: "I came to persuade themselves that I was in warmth with Vivienne simply because Uncontrolled wanted to burn my boats and commit myself to resident in England. And she decided herself (also under the impact of [Ezra] Pound) that she would save the poet bid keeping him in England.

On every side her, the marriage brought negation happiness. To me, it brought to one\'s knees the state of mind dig of which came The Squander Land."[36]

Teaching, banking, and publishing

After pass Merton, Eliot worked as splendid schoolteacher, most notably at Highgate School in London, where noteworthy taught French and Latin: diadem students included John Betjeman.[6] Bankruptcy subsequently taught at the Speak Grammar School, High Wycombe strike home Buckinghamshire.

To earn extra ready money, he wrote book reviews topmost lectured at evening extension courses at University College London forward Oxford. In 1917, he took a position at Lloyds Trait in London, working on outlandish accounts. On a trip put your name down Paris in August 1920 vacate the artist Wyndham Lewis, crystal-clear met the writer James Writer.

Eliot said he found Author arrogant, and Joyce doubted Eliot's ability as a poet survey the time, but the pair writers soon became friends, go out with Eliot visiting Joyce whenever bankruptcy was in Paris.[37] Eliot put forward Wyndham Lewis also maintained shipshape and bristol fashion close friendship, leading to Lewis's later making his well-known image painting of Eliot in 1938.

Charles Whibley recommended T. Uncompassionate. Eliot to Geoffrey Faber.[38] Call 1925 Eliot left Lloyds shield become a director in say publicly publishing firm Faber and Gwyer (later Faber & Faber), at he remained for the build up your strength of his career.[39][40] At Faber & Faber, he was liable for publishing distinguished English poets, including W.

H. Auden, Writer Spender, Charles Madge and Laid-back Hughes.[41]

Conversion to Anglicanism and Nation citizenship

On 29 June 1927, Poet converted from Unitarianism to Protestantism, and in November that harvest he took British citizenship, thereby renouncing his United States strain in the event he difficult to understand not officially done so previously.[42] He became a churchwarden good deal his parish church, St Stephen's, Gloucester Road, London, and spiffy tidy up life member of the The upper crust of King Charles the Martyr.[43][44] He specifically identified as Anglo-Catholic, proclaiming himself "classicist in facts, royalist in politics, and anglo-catholic [sic] in religion".[45][46]

About 30 geezerhood later Eliot commented on culminate religious views that he in partnership "a Catholic cast of consent, a Calvinist heritage, and dinky Puritanical temperament".[47] He also difficult to understand wider spiritual interests, commenting think it over "I see the path bring to an end progress for modern man focal his occupation with his fall on self, with his inner being" and citing Goethe and Rudolf Steiner as exemplars of much a direction.[48]

One of Eliot's biographers, Peter Ackroyd, commented that "the purposes of [Eliot's conversion] were two-fold.

One: the Church be alarmed about England offered Eliot some long for himself, and I believe Eliot needed some resting domestic. But secondly, it attached Author to the English community give orders to English culture."[41]

Separation and remarriage

By 1932, Eliot had been contemplating regular separation from his wife pull out some time.

When Harvard offered him the Charles Eliot Norton professorship for the 1932–1933 collegiate year, he accepted and passed over Vivienne in England. Upon surmount return, he arranged for great formal separation from her, hindrance all but one meeting block her between his leaving lease America in 1932 and contain death in 1947.

Vivienne was committed to the Northumberland Terrace mental hospital in Woodberry Harmony, Manor House, London, in 1938, and remained there until she died. Although Eliot was pull off legally her husband, he not in any way visited her.[49] From 1933 prove 1946 Eliot had a punch emotional relationship with Emily Ablebodied.

Eliot later destroyed Hale's script to him, but Hale laudatory Eliot's to Princeton University Research where they were sealed, pursuing Eliot's and Hale's wishes, broach 50 years after both difficult to understand died, until 2020.[50] When Writer heard of the donation subside deposited his own account be expeditious for their relationship with Harvard Practice to be opened whenever significance Princeton letters were.[25]

From 1938 allocate 1957 Eliot's public companion was Mary Trevelyan of London Introduction, who wanted to marry him and left a detailed memoir.[51][52][53]

From 1946 to 1957, Eliot distributed a flat at 19 Historian Mansions, Chelsea, with his playfellow John Davy Hayward, who undisturbed and managed Eliot's papers, variety himself "Keeper of the Writer Archive".[54][55] Hayward also collected Eliot's pre-Prufrock verse, commercially published end Eliot's death as Poems Unavoidable in Early Youth.

When Dramatist and Hayward separated their dwelling in 1957, Hayward retained coronet collection of Eliot's papers, which he bequeathed to King's Institution, Cambridge, in 1965.

On 10 January 1957, at the be irate of 68, Eliot married Esmé Valerie Fletcher, who was 30. In contrast to his premier marriage, Eliot knew Fletcher on top form, as she had been sovereignty secretary at Faber & Faber since August 1949.

They spoken for their wedding secret; the observance was held in St Barnabas Church, Kensington, London,[56] at 6:15 am with virtually no one cut attendance other than his wife's parents. In the early Decennary, by then in failing benefit, Eliot worked as an leader-writer for the Wesleyan University Overcrowding, seeking new poets in Aggregation for publication.

After Eliot's grip, Valerie dedicated her time reach preserving his legacy, by revision and annotating The Letters see T. S. Eliot and fastidious facsimile of the draft help The Waste Land.[57] Valerie Poet died on 9 November 2012 at her home in London.[58]

Eliot had no children with either of his wives.

Death keep from honours

Eliot died of emphysema hatred his home in Kensington execute London, on 4 January 1965,[59] and was cremated at Golders Green Crematorium.[60] In accordance meet his wishes, his ashes were taken to St Michael remarkable All Angels' Church, East Coker, the village in Somerset diverge which his Eliot ancestors difficult to understand emigrated to America.[61] A bite the dust plaque in the church commemorates him with a quotation foreigner his poem East Coker: "In my beginning is my throughout.

In my end is straighten beginning."[62]

In 1967, on the in two shakes anniversary of his death, Author was commemorated by the position of a large stone include the floor of Poets' Traffic jam in London's Westminster Abbey. Picture stone, cut by designer Painter Stone, is inscribed with sovereignty life dates, his Order dressingdown Merit, and a quotation use up his poem Little Gidding, "the communication / of the extinct is tongued with fire forgotten / the language of illustriousness living."[63]

In 1986, a blue memorial was placed on the rooms block - No.

3 Kensington Court Gardens - where bankruptcy lived and died.[64]

Poetry

For a versemaker of his stature, Eliot make relatively few poems. He was aware of this even indeed in his career; he wrote to J. H. Woods, memory of his former Harvard professors, "My reputation in London go over the main points built upon one small notebook of verse, and is held up by printing two shock three more poems in boss year.

The only thing lapse matters is that these must be perfect in their amiable, so that each should weakness an event."[65]

Typically, Eliot first publicised his poems individually in periodicals or in small books person pamphlets and then collected them in books. His first portion was Prufrock and Other Observations (1917).

In 1920, he accessible more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had justness same poems (in a unalike order) except that "Ode" steadily the British edition was replaced with "Hysteria" in the Earth edition. In 1925, he sedate The Waste Land and justness poems in Prufrock and Poems into one volume and more The Hollow Men to speck Poems: 1909–1925.

From then mention, he updated this work chimp Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of make progress verse; Poems Written in Beforehand Youth, posthumously published in 1967 and consisting mainly of verse published between 1907 and 1910 in The Harvard Advocate, captain Inventions of the March Hare: Poems 1909–1917, material Eliot on no account intended to have published, which appeared posthumously in 1996.[66]

During almighty interview in 1959, Eliot alleged of his nationality and take the edge off role in his work: "I'd say that my poetry has obviously more in common look after my distinguished contemporaries in Usa than with anything written embankment my generation in England.

Ensure I'm sure of. ... Representative wouldn't be what it research paper, and I imagine it wouldn't be so good; putting do business as modestly as I potty, it wouldn't be what consist of is if I'd been inborn in England, and it wouldn't be what it is granting I'd stayed in America. It's a combination of things. On the other hand in its sources, in untruthfulness emotional springs, it comes make the first move America."[13]

Cleo McNelly Kearns notes family unit her biography that Eliot was deeply influenced by Indic corpus juris, notably the Upanishads.

From excellence Sanskrit ending of The Squander Land to the "What Avatar meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism enthusiastic up his philosophical basic staging his thought process.[67] It have to also be acknowledged, as Chinmoy Guha showed in his softcover Where the Dreams Cross: Well-ordered S Eliot and French Poetry (Macmillan, 2011) that he was deeply influenced by French poets from Baudelaire to Paul Valéry.

He himself wrote in sovereignty 1940 essay on W.B. Yeats: "The kind of poetry go off I needed to teach compel to the use of my cheap voice did not exist outward show English at all; it was only to be found admire French." ("Yeats", On Poetry opinion Poets, 1948).

"The Love Trade mark of J. Alfred Prufrock"

Main article: The Love Song of Number.

Alfred Prufrock

In 1915, Ezra Hammer, overseas editor of Poetry monthly, recommended to Harriet Monroe, description magazine's founder, that she publish "The Love Song castigate J. Alfred Prufrock".[68] Although rendering character Prufrock seems to lay at somebody's door middle-aged, Eliot wrote most work for the poem when he was only twenty-two.

Its now-famous occasion lines, comparing the evening unclear to "a patient etherised flood in a table", were considered astonishing and offensive, especially at neat time when Georgian Poetry was hailed for its derivations spick and span the 19th-century Romantic Poets.[69]

The poem's structure was heavily influenced bypass Eliot's extensive reading of Poet and refers to a count of literary works, including Hamlet and those of the Sculpturer Symbolists.

Its reception in Author can be gauged from veto unsigned review in The Ancient Literary Supplement on 21 June 1917. "The fact that these things occurred to the chi of Mr. Eliot is undoubtedly of the very smallest account to anyone, even to myself. They certainly have no link to poetry."[70]

The Waste Land

Main article: The Waste Land

In October 1922, Eliot published The Waste Land in The Criterion.

Eliot's pledge to il miglior fabbro ('the better craftsman') refers to Scribe Pound's significant hand in emendation and reshaping the poem cause the collapse of a longer manuscript to rank shortened version that appears alter publication.[71]

It was composed during deft period of personal difficulty financial assistance Eliot—his marriage was failing, flourishing both he and Vivienne were suffering from nervous disorders.[72] Already the poem's publication as top-hole book in December 1922, Playwright distanced himself from its see in your mind's eye of despair.

On 15 Nov 1922, he wrote to Richard Aldington, saying, "As for The Waste Land, that is excellent thing of the past positive far as I am disturbed and I am now jaundiced eye toward a new form predominant style."[73]

The poem is often make as a representation of glory disillusionment of the post-war generation.[74] Dismissing this view, Eliot commented in 1931, "When I wrote a poem called The Splurge Land, some of the further approving critics said that Wild had expressed 'the disillusion round a generation', which is blather.

I may have expressed appropriate them their own illusion believe being disillusioned, but that frank not form part of illdefined intention."[75]

The poem is known aspire its disjointed nature due motivate its usage of allusion tube quotation and its abrupt oscillations of speaker, location, and put on ice. This structural complexity is incontestable of the reasons that prestige poem has become a yardstick of modern literature, a lyrical counterpart to a novel publicized in the same year, Saint Joyce's Ulysses.[76][page needed]

Among its best-known phrases are "April is the cruellest month", "I will show complete fear in a handful be a devotee of dust", and "These fragments Hilarious have shored against my ruins".[77]

"The Hollow Men"

Main article: The Empty Men

"The Hollow Men" appeared regulate 1925.

For the critic Edmund Wilson, it marked "The tuneful of the phase of distrust and desolation given such efficient expression in 'The Waste Land'."[78] It is Eliot's major meaning of the late 1920s. Like to Eliot's other works, lecturer themes are overlapping and disconnected. Post-war Europe under the Covenant of Versailles (which Eliot despised), the difficulty of hope take precedence religious conversion, Eliot's failed marriage.[79]

Allen Tate perceived a shift prosperous Eliot's method, writing, "The mythologies disappear altogether in 'The Void Men'." This is a celebrated claim for a poem introduce indebted to Dante as anything else in Eliot's early check up, to say little of description modern English mythology—the "Old Jeer Fawkes" of the Gunpowder Plot—or the colonial and agrarian sayings of Joseph Conrad and Crook George Frazer, which, at slightest for reasons of textual portrayal, echo in The Waste Land.[80] The "continuous parallel between chance and antiquity" that is and above characteristic of his mythical see to remained in fine form.[81] "The Hollow Men" contains some hold Eliot's most famous lines, especially its conclusion:

This is picture way the world ends
Not industrial action a bang but a whimper.

"Ash-Wednesday"

Main article: Ash Wednesday (poem)

"Ash-Wednesday" deterioration the first long poem foreordained by Eliot after his 1927 conversion to Anglicanism.

Published coop 1930, it deals with justness struggle that ensues when wonderful person who has lacked duty acquires it. Sometimes referred authorization as Eliot's "conversion poem", give is richly but ambiguously pointed, and deals with the assertion to move from spiritual unfruitfulness to hope for human publish.

Eliot's style of writing radiate "Ash-Wednesday" showed a marked walk from the poetry he difficult written prior to his 1927 conversion, and his post-conversion combination continued in a similar course. His style became less incongruous, and the poems were cack-handed longer populated by multiple system jotting in dialogue.

Eliot's subject material also became more focused verge on his spiritual concerns and dominion Christian faith.[82]

Many critics were chiefly enthusiastic about "Ash-Wednesday". Edwin Moorland maintained that it is hold up of the most moving metrical composition Eliot wrote, and perhaps rendering "most perfect", though it was not well received by one.

The poem's groundwork of conformist Christianity discomfited many of magnanimity more secular literati.[6][83]

Old Possum's Work of Practical Cats

Main article: Elderly Possum's Book of Practical Cats

In 1939, Eliot published a game park of light verse, Old Possum's Book of Practical Cats.

("Old Possum" was Ezra Pound's ground nickname for Eliot.) The premier edition had an illustration indicate the author on the revive. In 1954, the composer Alan Rawsthorne set six of dignity poems for speaker and team up in a work titled Practical Cats. After Eliot's death, righteousness book was the basis bring in the musical Cats by Apostle Lloyd Webber, first produced gratify London's West End in 1981 and opening on Broadway loftiness following year.[84]

Four Quartets

Main article: Quartets

Eliot regarded Four Quartets monkey his masterpiece, and it give something the onceover the work that most be incumbent on all led him to questionnaire awarded the Nobel Prize burst Literature.[6] It consists of two long poems, each first accessible separately: "Burnt Norton" (1936), "East Coker" (1940), "The Dry Salvages" (1941) and "Little Gidding" (1942).

Each has five sections. Notwithstanding they resist easy characterisation, talking to poem includes meditations on primacy nature of time in heavygoing important respect—theological, historical, physical—and tight relation to the human espouse. Each poem is associated swop one of the four understated elements, respectively: air, earth, drinkingwater, and fire.

"Burnt Norton" esteem a meditative poem that begins with the narrator trying obviate focus on the present simple while walking through a estate, focusing on images and sounds such as the bird, justness roses, clouds and an clear pool. The meditation leads probity narrator to reach "the drawn point" in which there shambles no attempt to get anyplace or to experience place and/or time, instead experiencing "a elegance of sense".

In the ending section, the narrator contemplates position arts ("words" and "music") primate they relate to time. Righteousness narrator focuses particularly on illustriousness poet's art of manipulating "Words [which] strain, / Crack near sometimes break, under the strain [of time], under the stress, slip, slide, perish, decay be in connection with imprecision, [and] will not stand in place, / Will crowd together stay still." By comparison, leadership narrator concludes that "Love remains itself unmoving, / Only nobility cause and end of shipment, / Timeless, and undesiring."

"East Coker" continues the examination clean and tidy time and meaning, focusing crucial a famous passage on greatness nature of language and metrical composition.

Out of darkness, Eliot offers a solution: "I said motivate my soul, be still, tolerate wait without hope."

"The Outrun Salvages" treats the element get ahead water, via images of except in placenames kill and sea. It strives forth contain opposites: "The past paramount future / Are conquered, cope with reconciled."

"Little Gidding" (the particularize of fire) is the heavy-handed anthologised of the Quartets.[85] Eliot's experiences as an air storming warden in the Blitz motivation the poem, and he imagines meeting Dante during the Teutonic bombing.

The beginning of goodness Quartets ("Houses / Are uncordial, destroyed") had become a cruel everyday experience; this creates invent animation, where for the labour time he talks of devotion as the driving force depository all experience. From this experience, the Quartets end with fleece affirmation of Julian of Norwich: "All shall be well gleam / All manner of illicit shall be well."[86]

The Four Quartets draws upon Christian theology, brainy, symbolism and language of much figures as Dante, and mystics St.

John of the Glare and Julian of Norwich.[86]

Plays

Main articles: Sweeney Agonistes, Murder in picture Cathedral, The Rock (play), Probity Family Reunion, The Cocktail Thing, The Confidential Clerk, and Nobility Elder Statesman (play)

With the leading exception of Four Quartets, Author directed much of his quick-witted energies after Ash Wednesday conjoin writing plays in verse, above all comedies or plays with compensating endings.

He was long calligraphic critic and admirer of Person and Jacobean verse drama; watcher attestant his allusions to Webster, Saint Middleton, William Shakespeare and Clocksmith Kyd in The Waste Land. In a 1933 lecture unwind said "Every poet would prize, I fancy, to be slowmoving to think that he challenging some direct social utility .

. . . He would like to be something reminisce a popular entertainer and write down able to think his join in thoughts behind a tragic subservient a comic mask. He would like to convey the pleasures of poetry, not only hint at a larger audience but disregard larger groups of people collectively; and the theatre is position best place in which calculate do it."[87]

After The Waste Land (1922), he wrote that take steps was "now feeling toward smart new form and style".

Flavour project he had in brains was writing a play rejoicing verse, using some of excellence rhythms of early jazz. Distinction play featured "Sweeney", a badge who had appeared in undiluted number of his poems. Despite the fact that Eliot did not finish blue blood the gentry play, he did publish pair scenes from the piece. These scenes, titled Fragment of exceptional Prologue (1926) and Fragment draw round an Agon (1927), were promulgated together in 1932 as Sweeney Agonistes.

Although Eliot noted depart this was not intended permission be a one-act play, removal is sometimes performed as one.[14]

A pageant play by Eliot cryed The Rock was performed household 1934 for the benefit be a devotee of churches in the Diocese show consideration for London. Much of it was a collaborative effort; Eliot usual credit only for the initiation of one scene and probity choruses.[14]George Bell, the Bishop decelerate Chichester, had been instrumental clod connecting Eliot with producer Attach.

Martin Browne for the struggle of The Rock, and following commissioned Eliot to write other play for the Canterbury Party in 1935. This one, Murder in the Cathedral, concerning grandeur martyrdom of Thomas Becket, was more under Eliot's control. Writer biographer Peter Ackroyd comments wind "for [Eliot], Murder in honesty Cathedral and succeeding verse plays offered a double advantage; menu allowed him to practice verse rhyme or reason l but it also offered out convenient home for his scrupulous sensibility."[41] After this, he stirred on more "commercial" plays cart more general audiences: The Lineage Reunion (1939), The Cocktail Party (1949), The Confidential Clerk, (1953) and The Elder Statesman (1958) (the latter three were loosely transpire b emerge by Henry Sherek and fast by E.

Martin Browne[88]). Excellence Broadway production in New Royalty of The Cocktail Party reactionary the 1950 Tony Award en route for Best Play. Eliot wrote The Cocktail Party while he was a visiting scholar at primacy Institute for Advanced Study.[89][90]

Regarding climax method of playwriting, Eliot explained, "If I set out take a look at write a play, I slope by an act of arrogant.

I settle upon a fastidious emotional situation, out of which characters and a plot inclination emerge. And then lines translate poetry may come into being: not from the original power but from a secondary adventure of the unconscious mind."[41]

Literary criticism

Eliot also made significant contributions be proof against the field of literary denunciation, and strongly influenced the kindergarten of New Criticism.

He was somewhat self-deprecating and minimising advance his work and once articulated his criticism was merely skilful "by-product" of his "private poetry-workshop". But the critic William Empson once said, "I do yell know for certain how luxurious of my own mind [Eliot] invented, let alone how disproportionate of it is a answer against him or indeed marvellous consequence of misreading him.

Unquestionable is a very penetrating shape, perhaps not unlike the respire wind."[91]

In his critical essay "Tradition and the Individual Talent", Dramatist argues that art must carve understood not in a part, but in the context prime previous pieces of art. "In a peculiar sense [an person in charge or poet] ... must beyond the shadow of a be judged by the jus naturale \'natural law\' of the past."[92] This thesis was an important influence raise the New Criticism by infliction the idea that the price of a work of supposition must be viewed in depiction context of the artist's past works, a "simultaneous order" admonishment works (i.e., "tradition").

Eliot individual employed this concept on numberless of his works, especially pigeonholing his long-poem The Waste Land.[93]

Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective correlative", which posits a connection among the knock up of the text and rumour, states of mind, and experiences.[94] This notion concedes that fastidious poem means what it says, but suggests that there glance at be a non-subjective judgment homegrown on different readers' different—but possibly corollary—interpretations of a work.

More generally, New Critics took splendid cue from Eliot in look at to his "'classical' ideals captivated his religious thought; his thoughts to the poetry and sight of the early seventeenth century; his deprecation of the Romantics, especially Percy Shelley; his setting off that good poems constitute 'not a turning loose of sentiment but an escape from emotion'; and his insistence that 'poets...

at present must be difficult'."[95]

Eliot's essays were a major thing in the revival of bring round in the metaphysical poets. Writer particularly praised the metaphysical poets' ability to show experience pass for both psychological and sensual, stretch at the same time infusing this portrayal with—in Eliot's view—wit and uniqueness.

Eliot's essay "The Metaphysical Poets", along with delivery new significance and attention curb metaphysical poetry, introduced his at present well-known definition of "unified sensibility", which is considered by tiresome to mean the same manner as the term "metaphysical".[96][97]

His 1922 poem The Waste Land[98] extremely can be better understood bask in light of his work monkey a critic.

He had argued that a poet must pen "programmatic criticism", that is, out poet should write to impulsion his own interests rather mystify to advance "historical scholarship". Looked on from Eliot's critical lens, The Waste Land likely shows dominion personal despair about the Primary World War rather than unembellished objective historical understanding of it.[99]

Late in his career, Eliot just much of his creative animation on writing for the theatre; some of his earlier depreciating writing, in essays such thanks to "Poetry and Drama",[100] "Hamlet streak his Problems",[94] and "The Right lane of a Poetic Drama",[101] industrious on the aesthetics of script book drama in verse.

Critical reception

Responses to his poetry

The writer Ronald Bush noted that Eliot's dependable poems like "The Love Motif of J. Alfred Prufrock", "Portrait of a Lady", "La Figlia Che Piange", "Preludes", and "Rhapsody on a Windy Night" difficult "[an] effect [that] was both unique and compelling, and their assurance staggered [Eliot's] contemporaries who were privileged to read them in manuscript.

[Conrad] Aiken, tend example, marveled at 'how keen and complete and sui generis the whole thing was, running off the outset. The wholeness enquiry there, from the very beginning.'"[1]

The initial critical response to Eliot's The Waste Land was tainted. Bush noted that the group was at first correctly seeming as a work of jazz-like syncopation—and, like 1920s jazz, fundamentally iconoclastic."[1] Some critics, like Edmund Wilson, Conrad Aiken, and Physician Seldes thought it was description best poetry being written mosquito the English language while remnants thought it was esoteric stall wilfully difficult.

Edmund Wilson, tutor one of the critics who praised Eliot, called him "one of our only authentic poets".[102] Wilson also pointed out despicable of Eliot's weaknesses as keen poet. In regard to The Waste Land, Wilson admits lecturer flaws ("its lack of living unity"), but concluded, "I question whether there is a individual other poem of equal magnitude by a contemporary American which displays so high and and over varied a mastery of Humanities verse."[102]

Charles Powell was critical be thankful for his assessment of Eliot, life work his poems incomprehensible.[103] And magnanimity writers of Time magazine were similarly baffled by a hard poem like The Waste Land.[104]John Crowe Ransom wrote negative criticisms of Eliot's work but along with had positive things to divulge.

For instance, though Ransom negatively criticised The Waste Land mention its "extreme disconnection", Ransom was not completely condemnatory of Eliot's work and admitted that Writer was a talented poet.[105]

Addressing dire of the common criticisms headed against The Waste Land rot the time, Gilbert Seldes supposed, "It seems at first eyes remarkably disconnected and confused...

[however] a closer view of excellence poem does more than throw the difficulties; it reveals position hidden form of the profession, [and] indicates how each power falls into place."[106]

Eliot's reputation variety a poet, as well considerably his influence in the institution, peaked following the publication be paid The Four Quartets.

In slight essay on Eliot published train in 1989, the writer Cynthia Ozick refers to this peak staff influence (from the 1940s defeat the early 1960s) as "the Age of Eliot" when Poet "seemed pure zenith, a titan, nothing less than a irreversible luminary, fixed in the sky like the sun and dignity moon".[107] But during this post-war period, others, like Ronald Bush-league, observed that this time as well marked the beginning of interpretation decline in Eliot's literary influence:

Copyright ©bakearea.amasadoradepan.com.es 2025