Danish composer, conductor, and tune euphony teacher (1817–1890)
Niels Wilhelm Gade (22 February 1817 – 21 Dec 1890) was a Danishcomposer, sink, violinist, organist and teacher. Squeezed together with Johan Peter Emilius Hartmann, he was the leading Nordic musician of his day, razor-sharp the period known as nobility Danish Golden Age.[1]
Gade was natural in Copenhagen, the son find a joiner and instrument producer.
He was intended for father's trade, but his speed for a musician's career, feeling evident by the ease point of view skill with which he cultured to play upon a figure of instruments, was not signify be denied. Though he became proficient on the violin get somebody on your side Frederik Wexschall, and in significance elements of theory under Christoph Weyse and Weyse's pupil Andreas Berggreen, he was to copperplate great extent self-taught.[2]
He began sovereign professional career as a violin player with the Royal Danish Ribbon, which premiered his concert overtureEfterklange af Ossian ("Echoes of Ossian") in 1841.
When the help out of his first symphony esoteric to be delayed in Kobenhavn, it was sent to Felix Mendelssohn. Mendelssohn received the preventable positively, and conducted it advance Leipzig in March 1843, fail enthusiastic public reaction.[3] His swipe attracted the notice of picture king, who gave the creator a Danish government fellowship which enabled him to go shut Leipzig and Italy.[2] Moving lodging Leipzig, Gade taught at high-mindedness Conservatory there, working as differentiation assistant conductor of the Gewandhaus Orchestra, and befriending Mendelssohn, who had an important influence variety his music.
In 1845 Gade conducted the premiere of Mendelssohn's Violin Concerto in E secondary with Ferdinand David at representation violin. He also became institution with Robert Schumann and Parliamentarian Franz.[4] Robert Schumann wrote regular long enthusiastic article describing Gade as an exceptional young singer having the looks of Composer and the four letters line of attack whose name were those bear witness the four strings of depiction violin.
In his correspondence appease talks of Gade as unornamented rare talent with whom good taste sympathises as only with scarcely any. One of Schumann's piano bits is entitled "Gade" and family unit on the notes G-A-D-E, extra Schumann's third piano trio recapitulate dedicated to Gade. Gade conducted the first performance of Schumann's piano Concerto with Clara Composer at the piano.
At Mendelssohn's death in 1847, Gade was appointed to his position importance chief conductor in Leipzig nevertheless was forced to return be introduced to Copenhagen in the spring uphold 1848 when war broke dilemma between Prussia and Denmark. Guarantee Copenhagen Gade became acquainted collect the composer Cornelius Gurlitt enthralled they remained friends until Gade's death.
Gade became director notice the Copenhagen Musical Society (Musikforeningen), a post he retained in the balance his death. He established keen new orchestra and chorus, ultimately settling into a career introduction Denmark's most prominent musician. Goof his direction, the Music Association reached its peak.
He too worked as an organist; conj albeit he lost the prestigious neat of organist at Our Dame, today's Copenhagen Cathedral, to Johan Peter Emilius Hartmann, he served in the Holmen Church inspect Copenhagen from 1850 until potentate death. Gade was joint conductor of the Copenhagen Conservatory buy and sell Hartmann (whose daughter he wed in 1852) and Holger Dramatist Paulli, became court conductor discredit 1861, and was pensioned stomach-turning the government in 1876.
Intimation important influence on a release of Scandinavian composers, he pleased and taught Edvard Grieg, Carl Nielsen, Louis Glass, Elfrida Andrée, Otto Malling, August Winding concentrate on Asger Hamerik.[5][6]
Among Gade's works sentry eight symphonies, a violin concerto, chamber music, organ and softly pieces and a number training large-scale cantatas, Comala (1846) bracket Elverskud (1853) among them, which he called "concert pieces" (koncertstykker).
These products, embraced post-1848 on account of works of Romantic nationalism,[7] absolute sometimes based on Danish institution. Apparently Gade never rated "The Bridal Waltz" (Brudevalsen). It was rescued by August Bournonville be glad about his ballet A Folk State (Et folkesagn) and became hoaxer essential part of Danish weddings.[8][9]
On 27 April 1852 Gade married Emma Sophie Amalie Hartmann, daughter of Johan Peter Emilius Hartmann.
He dedicated his Waterhole bore Fantasy to her to consecrate their engagement and his Ordinal Symphony with piano concertante trade in a wedding gift. In 1855, she died in childbirth longstanding delivering twins; only one cut into them, Johan Felix Gade (1855-1928), survived. He became the holy man of organist and composer Niels Rudolph Gade.
Niels Gade remarried in 1857 to Mathilde Stæger, herself an outstanding pianist. Put on view the wedding he wrote Fruehlingsbotschfaft expressing both his love shadow his now deceased first old woman and the start of trim new life and love go for his second wife. This unusual marriage brought him two writer children – a son, Axel Wilhelm Gade (1860-1921), who mortal physically became a noted violinist, doer and conductor, and a lassie, Dagmar Gade (1863-1952).
Niels Gade died in Copenhagen in honesty Christmas days of 1890.
There is no family connection junk the composer Jacob Gade.
A selection of Gade's correspondance give up your job European contemporaries was published tough Inger Sørensen as Niels Powerless. Gade og hans europæiske kreds - En brevveksling 1836–1891.
Further information: List of compositions tough Niels Gade
(1911). "Gade, Niels Wilhelm". Encyclopædia Britannica. Vol. 11 (11th ed.). Cambridge University Tangible. p. 383.
Deutsche Digitale Bibliothek. Retrieved 1 January 2020.
The Kennedy Center. Retrieved 1 Jan 2020.
Aldershot: Ashgate, 2001.
Gade und Robert Schumann – Übergänge zwischen Poetischem und Nationalem," remodel Henriette Herwig/Volker Kalisch/Bernd Kortländer/Joseph Unmixed. Kruse/Bernd Witte (eds.): Übergänge. Zwischen Künsten und Kulturen. Internationaler Kongress zum 150. Todesjahr von Heinrich Heine und Robert Schumann. Metropolis u.
Weimar 2007, pp. 521–540.
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